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The
Lord Chancellor DEREKNORTON Fairies Chorus
of Fairies Earls,
Marquises, Viscounts & Barons |
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Strephon
calls on the aid of the fairies who send
him to Parliament with the power to pass any bills he chooses including
entrance to the Peerage becoming dependent on competitive examination.
Act 1 ends in angry confrontation. Phyllis decides she doesn't really care for either of the two Earls and Strephon asks his Mother to intercede on his behalf with the Lord Chancellor. Iolanthe pleads Strephon's case but reveals she is in fact his wife! Once again Iolanthe has broken Fairy law and should die, however, by subtle sleight of hand the opera ends happily. Watch carefully to see how it's done!
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IOLANTHE is a satire aimed at the House of Lords, written at a time when the Upper Chamber consistently obstructed liberal legislation. The humour of the opera arises from the utterly ridiculous contrast of mixing the worlds of Arcadian fairies with Westminster politics. Iolanthe brings into question the relevance of the Upper House. Although written in 1882, 118 years later that relevance is still in question. When Sullivan was writing the music for Iolanthe his mother had just died and he was in deep grief. This seemed to influence the character of the music and the words to the ballad 'He loves' in Act 2 must have been particularly poignant for this is almost Grand Opera. Iolanthe opened at the Savoy Theatre in November 1882…The first time a theatre was lit by electric light. The opera was originally called 'Perala' and only at the final rehearsal did Sullivan tell the Company of the change to Iolanthe. This was to rebut any copyright pirates. Lovers of Wagner will be interested to know that the part of the Fairy Queen was modelled on Wagner's Brunnhilde. (The first London Ring Cycle had been staged in May 1882, some 6 months before Iolanthe opened.)
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